Skip to main content

News tags

Image
Dr. Kwang-chih Chang (1931-2001) is a pioneer best known for bringing the richness and diversity of Chinese archaeology to the world. Throughout his life, he was influential in the development of archaeological theory, the fostering of international cooperative research in East Asia, and has trained many students who went on to become distinguished archaeologists in their own right.  To learn more about Dr. Chang's work, you can check the following bibliography of his publications compiled by Robert E.
read more
Image

Two Sides of the Same Coin: A Combination of Archaeometallurgy and Environmental Archaeology to Re-Examine the Hypothesis of Yunnan as the Source of Highly Radiogenic Lead in Early Dynastic China

Authors: Ruiliang Liu, A. Mark Pollard, Feiya Lv, Limin Huan, Shanjia Zhang and Minmin Ma 

read more
Image

ARCHAIA — the Yale Program for the Study of Ancient and Premodern Cultures and Civilizations is very excited to announce a two-year postdoctoral position in “premodern cultures and civilizations,” for which applications are due soon: http://apply.interfolio.com/121632

The position is open to all applicants and especially encourage applications from candidates who study what are (for Archaia) less represented aspects of global antiquity, including East Asia.

read more
Image

Understanding Authenticity in China’s Cultural Heritage 

Seminar Series jointly organized by Oxford University and SOAS

Wednesday, 13 October, 2021, 14:00 BST

Su Junjie (Yunnan University): A Difficult Integration of Authenticity and Intangible Cultural Heritage? The Case of Yunnan, China

Wednesday, 10 November, 2021, 14:00 GMT

Birgitta Augustin (Museum für Asiatische Kunst, Staatliche Museen zu Berlin): Concept(s) of Authenticity in Painting and Calligraphy of the Yuan Dynasty

read more

Understanding Authenticity in China’s Cultural Heritage

Conference at the University of Oxford, 16-20 March, 2021

Organized by Christopher Foster and Anke Hein

Contact: understandingauthenticity@gmail.com

What we deem to be genuine or fake is not an objective determination, but something that we agree upon as communities. Debates about authenticity, moreover, are often intimately bound to question who owns the past and its representation. The “Understanding Authenticity in China’s Cultural Heritage” conference this March will explore these issues and more. From contesting narratives about the mother trees of Big Red Robe tea, to the restoration of Qin terracotta soldiers; from the experience of visiting a replica Eiffel Tower in Hangzhou, to US-China diplomatic tensions over "originality" and "shanzhai 山寨 (imitation)” – "Understanding Authenticity in China's Cultural Heritage” brings together specialists from a broad range of fields and backgrounds, to explore how questions about “authenticity” impact their work on objects, texts, and intangible cultural heritage in China.

Please join us online March 16th- 20st, 2021, for a discussion on the construction of “authenticity,” both historically and today, in relation to China’s cultural heritage. Registration is free, attendance is open to all, via submission of a short survey at the following link: https://www.surveymonkey.com/r/X8T7T2C

 

read more
Image

Understanding Authenticity in China’s Cultural Heritage

Conference at the University of Oxford, 28-30 May, 2020

What we deem to be genuine or fake is not an objective determination, but something that we agree upon as communities. Debates about authenticity, moreover, are often intimately bound to question who owns the past and its representation. Please join us at Oxford on May 28th-30th, 2020, for a discussion on the construction of “authenticity,” both historically and today, in relation to China’s cultural heritage. 

read more

What we deem to be genuine or fake is not an objective determination, but something that we agree upon as communities. Debates about authenticity, moreover, are often intimately bound to question who owns the past and its representation. Please join us at Oxford on March 18th- 21st, 2021, for a discussion on the construction of “authenticity,” both historically and today, in relation to China’s cultural heritage. 

read more